Thursday, December 18, 2014
Thursday, October 23, 2014
Thursday, September 11, 2014
Thursday, May 15, 2014
DOLBY ATMOS
Dolby Atmos
This will create a revival in Higher End Rec`vers...Onkyo will have this in there step ups...This NEW Sound Technology will be in the new Godzilla movie !!
This will create a revival in Higher End Rec`vers...Onkyo will have this in there step ups...This NEW Sound Technology will be in the new Godzilla movie !!
Dolby Atmos for Dramatic Cinema Sound Experiences
Dolby® Atmos™ introduces powerful new listening experiences for the movies, with sound that truly envelops you and allows you to hear the whole picture. With Dolby Atmos, filmmakers can now precisely position and move sounds anywhere in a theatre—even overhead—to heighten the realism and impact of every scene.
Dolby Atmos Benefits
Delivers a powerful and dramatic new cinema-sound listening experience
Allows sounds to move around the theatre to create dynamic effects
Reproduces a natural and lifelike audio experience that perfectly matches the story
Adds overhead speakers for the most realistic effects you’ve ever heard
Reflects the artist’s original intent, regardless of theatre setup
Employs up to 64 speakers to heighten the realism and impact of every scene
Artistic Freedom
For filmmakers, details matter—a lot. And Dolby Atmos gives filmmakers full creative control over the placement and movement of sound around the audience. This completely new level of artistic freedom enables precise matching of audio to onscreen action.
Dialogue follows characters. Sound effects track with camera pans. Ambient sounds envelop you. For the first time, you’ll hear the whole picture.
Monday, May 12, 2014
Wednesday, April 30, 2014
KEF SPEAKERS
KEF SPEAKERS
Of the many landmark innovations KEF has pioneered,
arguably the greatest of all is the Uni-Q point source driver array, with its
outstanding acoustic clarity and off-axis dispersion. With over twenty years of
continuous innovation and development the Uni-Q driver array achieves a level
of sound quality over a broad area simply not achieved from conventional
speakers.With Uni-Q, sounds come at you so naturally that it seems as if the
musicians or actors are actually there in front of you. Whether you are in the
centre of the room or off to one side, recordings sound uncannily real and
utterly convincing. Uni-Q achieves this because, unlike conventional speakers,
the sound that is critical to the experience comes from the same point in
space, and is produced in a controlled and continuous way over the whole audio range.
It is not easy to produce a convincing and realistic illusion of a live
performance because the sound from a high quality loudspeaker does not come
from a single source, or drive unit. Two or more units are required to
faithfully reproduce the entire audio spectrum from the low bass produced by a
concert organ or a cinema explosion, to the delicate nuances of the human voice
in the midrange right up to the shimmering treble of cymbals. Most loudspeakers
have the midrange and treble drive units mounted one above the other, so the
sound is coming from two different places, causing audio ‘confusion’ and losing
the chance of achieving a truly natural sound. With Uni-Q, the midrange and
treble units are mounted at precisely the same point in space – allowing them
to integrate perfectly and create the ideal sound field for the listener to
experience a convincingly natural sound
Monday, April 28, 2014
NEW THIS & THAT !
NEW THIS & THAT...
SO...IT HAS TAKEN ME SOME "WASTED" HOURS TO ....
- SOUND PROOF 3 WALLS
- RE-TUNE MY DRUMS
- BAFFLE MY DRUMS
- RE ARRANGE MY DRUMS....& THIS IS THE END RESULT !!
I`VE ALSO RE-DONE MY "THANK YOU " CARD THAT I GIVE TO MY CLIENTS THAT INCLUDES THESE 2 PICS...
ALTHOUGH I DO NOT ! I REPEAT DO NOT LIKE THE YANKEES...MY NANCY DOES !
HER FAVOURITE PLAYER IS JETER. SO SINCE HE IS RETIRING THIS YEAR, I GOT HER HIS HOME JERSEY...( BLAHHHHH ) !!
SO...IT HAS TAKEN ME SOME "WASTED" HOURS TO ....
- SOUND PROOF 3 WALLS
- RE-TUNE MY DRUMS
- BAFFLE MY DRUMS
- RE ARRANGE MY DRUMS....& THIS IS THE END RESULT !!
I`VE ALSO RE-DONE MY "THANK YOU " CARD THAT I GIVE TO MY CLIENTS THAT INCLUDES THESE 2 PICS...
ALTHOUGH I DO NOT ! I REPEAT DO NOT LIKE THE YANKEES...MY NANCY DOES !
HER FAVOURITE PLAYER IS JETER. SO SINCE HE IS RETIRING THIS YEAR, I GOT HER HIS HOME JERSEY...( BLAHHHHH ) !!
Wednesday, April 2, 2014
FRANK`S "MANIC DEPRESSION"
FRANK`S "MANIC DEPRESSION"
Mitchell auditioned for Hendrix's band in October 1966, edging out drummer Aynsley Dunbar on the flip of a coin. His contribution to Hendrix's music is widely and deeply appreciated. In the studio, Hendrix would often record alone with Mitchell. On stage, the two fed off each other to exciting effect. Mitchell's ability to provide an inspiring rhythmic platform for the pre-eminent guitar groundbreaker of his day, stands alongside Ringo Starr's accomplishment of providing a vital, creative, but ultimately supportive role with the Beatles. Highly praised examples of his collaboration with Hendrix include the songs "Manic Depression", "Stepping Stone", "Little Miss Strange", "Fire", "Third Stone from the Sun", and Hendrix's signature "Voodoo Child (Slight Return)".
Mitchell came from a jazz background, and like many of his contemporaries in the London scene, was influenced by Elvin Jones, Max Roach, and Joe Morello.[5] He played in Hendrix's Experience trio from October 1966 to mid-1969, in the Woodstock band, (August 1969), and in the 1970 "Experience" version with Billy Cox on bass, known posthumously as the "Cry of Love band".
a "Wee Bit" about Mitch Mitchell ( borrowed from Wikipedia )
Mitchell auditioned for Hendrix's band in October 1966, edging out drummer Aynsley Dunbar on the flip of a coin. His contribution to Hendrix's music is widely and deeply appreciated. In the studio, Hendrix would often record alone with Mitchell. On stage, the two fed off each other to exciting effect. Mitchell's ability to provide an inspiring rhythmic platform for the pre-eminent guitar groundbreaker of his day, stands alongside Ringo Starr's accomplishment of providing a vital, creative, but ultimately supportive role with the Beatles. Highly praised examples of his collaboration with Hendrix include the songs "Manic Depression", "Stepping Stone", "Little Miss Strange", "Fire", "Third Stone from the Sun", and Hendrix's signature "Voodoo Child (Slight Return)".
Mitchell came from a jazz background, and like many of his contemporaries in the London scene, was influenced by Elvin Jones, Max Roach, and Joe Morello.[5] He played in Hendrix's Experience trio from October 1966 to mid-1969, in the Woodstock band, (August 1969), and in the 1970 "Experience" version with Billy Cox on bass, known posthumously as the "Cry of Love band".
Jazz fusion
is a lead style of playing distinguished by interplay with lead instruments
such as guitar or keyboards, and the blending of jazz and rock
drumming styles. Though the use of lead drums was not a new concept in jazz, it
was relatively unheard of in rock. Upon joining Hendrix in late 1966, it became
evident to Mitchell that the trio format of the band was similar to the
recently formed Cream, and that it would allow him to become more free
with his playing. Like a jazz drummer, Mitchell's playing not only provided a
rhythmic support for the music, but also a source of momentum and melody. He
made heavy use of snare rudiments, fast single and double stroke rolls, and jazz
triplet patterns, and shifted between both traditional and matched grips.
Examples of his style include the rudiment-heavy fills on "Hey Joe",
which help to carry the song through a series of increasingly intense climaxes.
"Manic Depression" is a 3/4 rock waltz
that finds Mitchell playing a driving Afro-Cuban inspired beat, which then
shifts to an explosion of triplets around the drumkit .
Wednesday, March 19, 2014
Wednesday, February 26, 2014
FRANK`S SHORTEN VERSION OF "THE POSE"
THE TIGER PRACTICE JERSEY IS PRE-JAYS
IT TOOK ME 2 HOURS TODAY TO GET THIS DOWN IN 1 TAKE...
Tuesday, February 18, 2014
Wednesday, February 12, 2014
Thursday, February 6, 2014
Wednesday, January 29, 2014
Wednesday, January 22, 2014
Monday, January 13, 2014
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